Much like mic or processing choices, you have to go with what feels right. But I think I ended up using it, due to Logic incidentally feeling right for me. I’ve been using Logic regularly since 2001, and I love it. You have to think about it like Indiana Jones- You’ve found some gem that is powerful for you, because you came along some vibe connected path to find it. This is where PT failed.Īnyway- Yah, people know DP, but it’s something you had to be there to know about, or you’re young and have traveled so far in audio engineering rabbit holes, that you somehow end up knowing about Digital Performer. If you’ll notice- you can see that everyone else had some weird artistic connection with creating music and DAW ideology, while PT had a focus on studio recording and fast editing. Motu Digital Performer 9 es la solución completa de producción musical y edición de audio en su ordenador, ya sea Macintosh o Windows. It is NOT for troubleshooting technical issues, complaints, feature requests, or 'Comparative DAW 101. Back in the day, PT actually was the industry standard, and on the sidelines stood Cubase, Logic, Digital Performer, ACID, FruityLoops. This forum is for most discussion related to the use and optimization of Digital Performer MacOS and plug-ins as well as tips and techniques. MOTUNATION (formerly UnicorNation) is an independent community for discussing Digital Performer and other MOTU audio software and hardware. I generally liked it, but it had some showstopping issues and it wasn't good enough for me to hang onto it. Lacking in a lot of QoL features for composition in comparison to DAWs like Cubase Pro and even Studio One. bar windows from Cubase Pro, Logic Pro X, and Digital Performer 9. The UI is very configurable, but I'd settle for less configurability if the layout was a bit more polished OOTB. the ability to make the change from analog to digital environments seamlessly. It actually has combined instrument tracks now, as well as ARA2 Support.īut a lot of the plug-ins (and especially the stock instruments) have unusably tiny GUIs - I'm talking 3 point font in the GUI for instruments like MX4 on Windows. Some of the updates have been nice, though. It has the Stalin of Plug-in Validators (Windows). And it had a lot of issues with VST plug-ins. Usability-wise, it just wasn't there for me. I bought v11, but I actually got a refund for it. Multimedia tools downloads - Digital Performer by MOTU and many more programs are available for instant and free. and both of those are superior options for Recording/Editing and Mixing, IMO. Unlimited number of sequences, songs, tracks and audio voices 198. I actually feel like Pro Tools feels more fluid to use, and even Samplitude Pro X. Ableton Live 9-10 (Mac: AU, VST2, VST3 / Windows: VST2, VST3) Bitwig 2 (Mac and Windows: VST2, VST3) Cubase 8.5-10. Clearly arranged main window with freely scalable views for tracks, mixers, editors, etc. It's quite capable, but it feels a bit too old school to use.
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